OP-X PRO-II the ultimate dream machine! OP-X PRO-II is the new top flagship of the OP series offering many new and extended features inspired by requests from users we have collected over the years as well as own new ideas. So if you already have worked with one of the previous models this synth will give you everything you've ever wished, and if you're new this could be the dream synth you've always looked for. OP-X PRO-II offers world unique features and a sound that will make your brain release endorphines. It will deliver the fattest and warmest strings, pads, brasses and solos you've ever heard from a virtual synth. An included library of more than 1500 of the finest presets inluding many of the most famous 80ies hits sounds and countless well known presets from various classic vintage synths builds the base for your work. Features like relative or fetched midi cc response make this synth a perfect live machine.
OP-X PRO - Virtual Oberheim OB-X XPander VST OP-X PRO-II out! OP-X PRO OP-X VST The real OB-X Rev.2 Welcome to the Sonicprojects OP-X Pro home! On this site you will get to know the classic Sonicprojects OP-X PRO.
Note that OP-X PRO has been discontinued in favour of its big brother. So this former product page only still serves for informative purpose. The multimode filter Click to enlarge One of the main additions was to enhance the already great OP-X filter with multimode functionality. The root concept for it was derived from the old SEM multimode filter which allowed seamless blending from lowpass over notch to highpass with a fixed bandpass position. This basic concept was now even enhanced with a switchable 12/24dB lowpass position and a multimode pole (only high pass in SEM) with itself seamlessly (!) blendable modes from highpass over bandpass to notch. Not enough with this the lowpass-to-multimode mix can be automated by lfo and the filter envelope.
So this mad filter is continuously controllable in every aspect and will simply knock you out of the socks! Further enhanced features: - lots of virtual tuning trimpots for custom detunings (!) - switchable legato mode for unisono playing - switchable lfo to amp modulation - enhanced minimal envelope times - voice-based lfo to pan modulation (!) - seamlessly controllable vco frequencies - voices individually mutable for variable mono mode Sonicprojects OP-X PRO VST Click to enlarge The available formats The OP-X PRO is available as VST Plugin for the PC platform. Comes with comprehensive pdf manual, huge sound library and full automation and midi cc remote support. Go to the detailed description Minimum System Requirements: Pentium IV 1,5 GHz, Win XP 512 MB Ram VST host software (PC).
Sound Reloads Are the built in 2'500 sounds enough? Even more sounds can be downloaded in the sound reloads area, which is updated with new sounds and banks regularly. Scroll down for the newest reloads: Neil Palmer Keyboard player and producer of Xavier Naidoo. He uses OP-X PRO-II live and in the studio with a Muse Research Receptor. „I'm a cynical purist - I own a lot of original analog gear, but the OP-X PRO II made me think about putting my originals under dust sheets! Fat, punchy, with faster envelopes than my Oberheim Xpander - and I'm not scared to take it on tour with me!!!“ Neil Palmer has provided some presets in the Palmer Mod Clav: Shuko Multi platinum music producer.
Credits: Lil Wayne, Sido, Birdman, Omarion, Young Money, Snoop Dogg, Gimma, Bligg, Bandit, Keith Murray a.m.m. „Hands down this vst synth is one of the best emulations I ever worked with! OP-X PRO-II sounds real huge, I was suprised how realistic the basses and leads sounded.
I had the chance to work with an original OB-Xa and this emulation is coming real close. It's actually a lot fun, fast loading of the presets and a big libary make it easy to get stuff done quickly.“ Morris Hayes Keyboardist and music director of Prince. Has worked with Maceo Parker, Elton John, Herbie Hancock, Lenny Kravitz and many more. „The OP-X PRO-II is hands down the closest thing to our OB-8 to date! It is fat, flexible and runs like a dream on my Openlabs units.
I use it heavily in the shows. I also get to run multiple instances of the instrument which is very cool! This plug kills!“ More testimonials are available OP-X PRO-II - the ultimate dream machine! OP-X PRO-II is the new top flagship of the OP series offering many new and extended features inspired by requests from users we have collected over the years as well as own new ideas.
Due to its countless sound shaping features and flexible voice management the range of possible sounds reaches from early monophonic synths over classics like OB-X and Jupiter-8 up to Matrix-12. OP-X PRO-II offers world unique features and a sound that will make your brain release endorphines. It will deliver the fattest and warmest strings, pads, brasses and solos you've ever heard from a virtual synth. An included library of more than 1500 of the finest presets inluding many of the most famous 80ies hits sounds and countless well known presets from various classic vintage synths builds the base for your work. Features like relative or fetched midi cc response make this synth a perfect live machine. OP-X PRO-II is the new top flagship of the OP series offering many new and extended features inspired by requests from users we have collected over the years as well as own new ideas.
Due to its countless sound shaping features and flexible voice management the range of possible sounds reaches from early monophonic synths over classics like OB-X and Jupiter-8 up to Matrix-12. OP-X PRO-II offers world unique features and a sound that will make your brain release endorphines. It will deliver the fattest and warmest strings, pads, brasses and solos you've ever heard from a virtual synth. An included library of more than 1500 of the finest presets inluding many of the most famous 80ies hits sounds and countless well known presets from various classic vintage synths builds the base for your work. Features like relative or fetched midi cc response make this synth a perfect live machine. OP-X PRO-II is the new top flagship of the OP series offering many new and extended features inspired by requests from users we have collected over the years as well as own new ideas.
Due to its countless sound shaping features and flexible voice management the range of possible sounds reaches from early monophonic synths over classics like OB-X and Jupiter-8 up to Matrix-12. OP-X PRO-II offers world unique features and a sound that will make your brain release endorphines. It will deliver the fattest and warmest strings, pads, brasses and solos you've ever heard from a virtual synth. An included library of more than 1500 of the finest presets inluding many of the most famous 80ies hits sounds and countless well known presets from various classic vintage synths builds the base for your work.
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Features like relative or fetched midi cc response make this synth a perfect live machine. OP-X PRO-II does not just clone voices to achieve polyphony. Its unique Separate Voice Design (SVD) emulates the exact audio signal flow and voice structure of real voltage controlled polyphonic analogue synths using a separate independent monosynth for each voice including all the slight variations and detunings between the single voices which gave those synths that lively and organic sound. These detunings can be controlled globally and also can be edited in every tiny detail for each voice on demand.
The synth is supercharged with features inspred by a wide variety of classic analog synths and so it isn't limited to emulating only one specific synth. Check the audioclips above to get an impression of its huge variety. Dependent on the settings it can sound close to an Oberheim, a Jupiter-8, a Prophet-5 or even a Minimoog. It's flexible voice engine featuring a separate pannable mono synth for each voice allows to include or exclude any voice of choice which can make it a Matrix-12 like polyphonic monster synth, a classic four voice synth or even a simple innocent mono synth. Its morphable state variable multimode filter offering switchable 12/24db slope and switchable self oscillation allows to achieve almost any thinkable color since everything including the modes is seamlessly blendable.
But where others stop this synth only begins. Once all classic parameters are set you can start refining the character of the whole system by using all the many voice based detuning features which can make the synth sound completely pissed off with a lot of detunings going on up to clean and precise to capture the sound of later more behaved analog synths. This can be done intuitively and quickly on the fly using just four global buttons, or, if you want to go into the tiny details, using the voice-based tuning trimpots to refine it.
This allows you to achieve any thinkable character and you even could clone a dedicated real analog synth in every detail voice by voice. Last but not least the synth offers a bunch of unique features dedicated to live application which can help to make a live performance completely glitch free, intuitive and smooth.
These include a switchable relative or fetched response to incoming controller data which eliminates the well known parameter jumps caused by deviating settings. A built in patch change smoother makes patch switches over midi and increment or decrement buttons completely artefact free by quickly fading out audio, releasing all notes and fading in again, all within the fraction of a second. This can be complemented with a switchable parallel processing mode of the effects engine which lets the effects of the old preset finish uncut while the new preset is directed to another free engine. The effect engine itself offers a bunch of handy quick presets. Last but not least arpeggios and sequences can be hold/started or released/stopped hands-free with the damper pedal by quickly depressing and releasing it again time-filtered within less than half a second. As you can see OP-PRO-II offers a lot. To be able to enjoy all of its sound possibilities off the shelf the synth comes with a huge library of 1'500 built in sounds plus 500 more downloadable in the regularly extended sound reloads area which gives you a library of no less than 2'000 fantastic sounds in total including many famous sounds as base for your work.
12dB SEM 24dB Self Reso Self Reso as Partial 24dB Sweeps Highpass Bandpass Notch Mixed Notch w/ Reso Env to Filtermix HP to LP Env to Filtermix NO to LP LFO to Filtermix LP / Highpass LFO to Filtermix LP / Notch Key Tracking 0% Key Tracking 50% Key Tracking 100% For more details have a look at the comprehensive pdf manual: Separate Voice Design As its smaller brothers OP-X PRO-II uses no common voice cloning to achieve polyphony. Instead each voice is a separate mono synth with individual signal path and slightly different sound by default, exactly the same as in a real voltage controlled analog synth where each voice has its own electronics including individual device tolerances, slightly deviating calibrating, aging influences and warm up drifts. As example this is a single voice of a 1979 OB-X: OP-X PRO-II emulates these separate voices including all the slightly individual drifts and deviating calibrations, and this now for full 12 voices, similar to e.g. But unlike in the old originals OP-X PRO-II offers the ability to take full control over these detunings, both with global tuning buttons and too a lot of trimpots that allow to calibrate individual voices for custom detunings, and this all individually for four sections: oscillator pitch, filter cutoff, filter envelope times and portamento times. Each voice too has its own pan-control.
This all spends OP-X PRO-II an incredible sound, which captures the livelyness and fatness of a real polyphonic analog synth. Watch this video featuring the smaller brother OP-X PRO which shows how the Separate Voice Design works: SVD extensions in OP-X PRO-II: Doubled number of voices (12), switchable master polyphony (6/8/12), deactivateable voices (also in polyphonic mode), optional seamless detuning control and one-click calibration option for the tuning trimpots.
To keep things handlable and compatible to former sounds the tuning trimpots, pan controls and voice mutes always control the two corresponding voices of the upper and the lower voice bank at the same time, which makes it easy to play with polyphony without the need of calibrating the voices of the lower bank individually. This video shows how the master polyhony and the voice deactivation works: The tuning system: The tuning system is divided into four parameter groups: oscillator pitch (OSC), filter cutoff (FILT), filter envelope attack and decay times (ENV) and portamento times (Porta DET). Each section has its own global tuning button that either can switch on and off the voice-based detunings or can blend seamlessly between the detuned and tuned mode with the new seamless control function by clicking on the text label and dragging the mouse vertically (see below). In the detuned mode the detunings of the individual voices are determined by the trimpot settings.
The twelve-o'clock setting does not mean tuned, it represents the standard detuning which is comparable to an average not freshly calibrated polyphonic analog synth. The trimpots can be freely adjusted for custom detunings or calibrated with the new one-click calibration feature (see below).
The pitch section has no individual trimpots, its detuned mode has chaotic settings which are comparable to a voltage controlled analogsynth right after switching on before applying auto tune. The detunings of the pitch section however also can be independently and seamlessly controlled with the spread knob which too works in polyphonoc mode. In tuned mode (led on) spread is great to add just a tad bit of unpureness. Effects Unit The top bar includes an effects unit offering reverb and delay. The unit can be quickly switched on and off with just one button. The edit button opens the hidden panel for detailed parameters. By clicking on the small down arrow a choice of handy quick presets can be accessed that can be checked through on the fly.
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The delay can be synchronized to the host and to the arpeggiator in normal, triple and dotted mode. If the arpeggiator is on the sync source is the arpeggiator automatically, which can be synchronized itself to the host.
PP activates parallel processing using two separate effect units which makes it possible to let finish the effects of the previous preset uncut while the new preset can be used immediatly with its own effect settings. Patch Browser The top bar includes a very handy new patch browser which allows for easy navigation within patches, load and save banks and patches from and to a standardized central location. The patch browser also allows for easy renaming and quick one-click saving of own custom patches which can be used then to create own custom banks. There are two patch list launch down arrows, one for a temporary list that again disappears after having chosen a patch, and the other one for a locked list that allows to browse around in what's available in the currently loaded bank. Other than the standard windows lists you might know from your host these lists remain in the last chosen scroll position, which makes anoying back scrolling to patches in deep positions unnecessary.
When using the increment decrement buttons or MIDI program changes to switch patches, then patch changes are smoothed with an intelligent algorithm that very quickly fades out the last patch and again in the new one for completely smooth and artefact free patch changes. New Arpeggiator A completely new arpeggiator/MIDI processor offers an incredible variety of features, more than you would guess from its simple appearance. The mode knob lets you morph in realtime through 32 different modes.
Dependent on the chosen mode the neighboured knobs become controls for various sub-functions. The offered modes include: - normal arpeggios: 1-4 octaves, up/down/up&down, pitch order/input order/random - 3 step sequencer modes - 8 step note recorder - chord hold - preset chords - double mode For hands free operation arpeggio hold and start/stop in the record mode can be applied by the standard damper foot pedal, which works with a time gate then. To access it you have to depress and release it again within less than half a second.
CC Processor The same as in OP-X PRO there's still a ready-to-use standard CC mapping for nearly all parameters that follows the popular Pro53-standard. But the new MIDI learn function now allows to customize this setting so that it fits your needs. To avoid the well known parameter value jumps using non-endless controllers OP-X PRO-II furthermore offers a feature which is quite unique amongst VSTis: relative or fetched CC response, switchable on demand with the left knob below 'PROCC'. In relative (REL) mode the GUI knobs only respond relatively to incoming CCs, so they don't jump to the actual value. In fetched (FET) the current value has to be fetched until the knob starts moving. For people who own endless rotary controllers with LED rings OP-X PRO-II offers full MIDI feedback support by default, which means that each control sends its current value to the MIDI output when moved and there's a full status dump of all parameters on program change, which makes external controllers follow the current state. On demand both MIDI CC input and output too can be deactivated completely (setting BLO).
Bending modes While still offering the two most common bend intervals (2/12) directly switchable with the blue square button, there are now 32 additional modes that can be accessed by clicking into the small number display and dragging the mouse vertically. A dedicated cluster of coloured points indicate then the active mode. Have a look at the pdf manual for a complete table showing all modes. The modes include all intervals from 1 to 12 joined by 3 ultrawide modes (2,3 and 4 octaves) for extreme bendings, as well as several asymetric modes (different interval for up and down) and modes where the modulation wheel is routed to filter cutoff. There are also modes that map the modulation wheel to bending to have up to three independent different bending intervals for special situations.